The installation is built in two rooms and explores the concept of “corruption” and its various meanings. In the first room – the toilet – the visitor’s image merges with the word “Korrupt” printed on mirrors. The game of reflexes absorbs him to the conceptual core of the installation: at this moment, he is the face of corruption.
The mirrors expel ink, and the room/ toilet is an alive, penetrable painting. In the second room, the sentence “What has escaped corruption is of extraordinary treasure” recovers the floor’s entire surface.
(“Was der Korruption entkommen ist, ist von außergewöhnlicher Kostbarkeit.”)
at 5000 Zimmer, Munich, Germany